All Graceful Instruments

All Graceful Instruments: The Contexts of the Grateful Dead Phenomenon by Nicholas G. Meriwether and other contributors (Cambridge Scholars Publishing, 2007) got a great review in The Journal of Popular Culture (see volume 41, Issue 2, pps 352-353.) The book, a compilation of essays in areas of literary criticism, musicology, sociology, philosophy, and business theory explores “the meaning and significance of the music of the Grateful Dead, the implications of their artistic and commercial success, and the social dimensions of their following, the Deadheads.” Scott MacFarlane, writing in The Journal of Popular Culture notes the book “provides analysis into, not only the band and its music, but also the way the Dead’s phenomenon engendered a sociospiritual microculture of Deadheads that evolved into the most intriguing fan base in rock history.” MacFarlane touts the work’s breath and comprehensiveness, and praises All Graceful Instruments as “compelling.”

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