Grateful Dead Live at Hollywood Palladium on 1971-08-06


Grateful Dead, “Grateful Dead Live at Hollywood Palladium on 1971-08-06,” Grateful Dead Archive Online, accessed February 10, 2016,


Set 1

Playing In The Band
Mr. Charlie
El Paso
Cumberland Blues
Brokedown Palace
Me And Bobby McGee
Hard To Handle
Casey Jones Six Days On The Road
Watcha Gonna Do
I Don't Know You
Down In The Boondocks
Portland Woman
Dirty Business
Glendale Train
Workin' Man Blues
The Only Daddy That'll Walk The Line
Fair Chance To Know
The Weight
Louisiana Lady
Last Lonely Eagle
Sweet Lovin One

Set 2

Saint Stephen
Truckin' ->
Drums ->
The Other One ->
Me And My Uncle ->
The Other One
Sugar Magnolia
Morning Dew
Turn On Your Lovelight


  • *Matrix*

    SBD (shnid=96541):

    Recording Info:
    SBD -> Master Reel -> CD

    Transfer Info:
    CD -> Samplitude Professional v10.02 -> FLAC
    (3 Discs Audio / 2 Discs FLAC)

    All Transfers and Mastering By Charlie Miller
    March 19, 2008

    Patch Info:
    (FOB) Sony ECM-22P -> Master Reel supplies:
    The Other One (1:25 - 2:19)

    -- Set 2 is seamless
    -- WRS Prelude tease after Me And My Uncle
    -- Master Reel transferred to CD at the Mastering Plant in L.A.

    AUD (shnid=94261):

    MR > R > CD > EAC > WAV > FLAC

    MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)

    * Recorded By Harvey Kaslow and Craig Todd
    (FOB) Sony ECM-22P condenser mikes into a Sony 770 portable 7 '' reel deck.

    [missing El Paso; shnid=88816 provides Me and Bobby McGee]

    Thank you to Charlie Miller for the SBD transfer,
    to Harvey Kaslow and Craig Todd for recording the show,
    and to Rob Bertrando, Will Boswell, and Matt Smith for the AUD transfer.

    Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
    January 3, 2009


    1) There is about a minute cut in the AUD near the end of Lovelight. There are gaps in the AUD between songs.

    2) While the primary AUD did not have Me & Bobby McGee, it did have a significantly longer crowd intro and outro than shnid=88816.

    3) The right channel of the AUD was low during the last two songs. This was adjusted.


  • 163:26.38

Accession Number:

  • gd1971-08-06.mtx.seamons.96668.sbeok.flac16

Archival Resource Key:

  • ark:/38305/g48c9x8r


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