Grateful Dead Live at Warfield Theatre on 1983-03-31

Citation:

Grateful Dead, “Grateful Dead Live at Warfield Theatre on 1983-03-31,” Grateful Dead Archive Online, accessed April 23, 2014, http://www.gdao.org/items/show/281153.

Contents:

Set 1

Feel Like A Stranger
Friend Of The Devil ->
Little Red Rooster
Dupree's Diamond Blues
Me And My Uncle ->
Big River
West L.A. Fadeaway
My Brother Esau
Don't Ease Me In

Set 2

Lost Sailor ->
Saint Of Circumstance ->
Far From Me
Terrapin Station ->
Drums ->
Space ->
The Other One ->
Throwing Stones ->
Wharf Rat ->
Around And Around ->
Good Lovin'

Encore
Brokedown Palace

Description:

  • *Matrix*

    ----------------------------------------------------
    SBD:

    Recording Info:
    SBD -> Cassette Master (Dolby B)

    Transfer Info:
    Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) ->
    SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
    (2 Discs Audio / 2 Discs FLAC)

    All Transfers and Mastering By Charlie Miller
    Post Processing by David Minches
    charliemiller87@earthlink.net
    April 28, 2006

    ----------------------------------------------------
    AUD:

    Recording Info:
    (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat

    Transfer Info:
    Dat (Sony R500) -> Samplitude v6.0 -> CD -> EAC -> SHN
    2 Discs SHN / 2 Discs Audio

    All transfers done by Charlie Miller
    charliemiller87@earthlink.net
    shn conversion done 5/22/03

    ---------------------------------------------------
    Thank you to Charlie Miller for the SBD and AUD transfers.

    Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
    August 15, 2008


    Notes:

    1) One momentary cut in the AUD during Drums into Space. One brief cut in the SBD during Space.

    2) Fades were used to create a "seamless" AUD track.

    3) There are several atomic Phil bombs during Terrapin and Other One.

    4) Jerry Garcia on "matrix" recording in 1981 regarding the Dead Set and Reckoning albums:

    "It's a remarkable process that gives [the recording] a three-dimensionality that is uncanny - it really does...It's actually superimposed, the best of both worlds: the close mic sound of being right on stage, you know, and the thing of being in the room and the way the room, what the room does - those things superimposed on each other, you know, in various relationships. It's pretty much like being there."

Extent:

  • 142:43.10

Accession Number:

  • gd1983-03-31.mtx.seamons.94016.sbeok.flac16

Archival Resource Key:

  • ark:/38305/g4w09731

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