Tompkins Square Park, 1967
What is your favorite Dead show, and why?:
- The only Dead show I attended is the one in which I played guitar with the band, Tompkins Square Park on Manhattan's Lower East Side during the Summer of Love, 1967.
The park had become a hippie hangout of sorts, with weed being smoked more or less openly until the cops staged a big raid, beat up several people and threw them in jail. This caused a huge uproar, police were shamed for their brutality, and proclaimed that they wouldn't be patrolling the park anymore.
I had co-founded a band called "Group Image" (name inspired by Marshall McCluhan's "The Medium Is The Message"). We planned to play a benefit concert, I think to help with legal expenses for the police victims, and we contacted the Dead to invite them to join in. They accepted because they were in town anyway, and visited us at the loft for a brief jam a day or two before.
They played a few of their songs for us, and then asked us to play some of ours. One of us replied, "We don't have any songs. We just play free." We were known as the loudest band in New York, having learned how to stack columns of Marshall amps together at a time when the Beatles were using little Standells. We would often set up at St Mark's Church or some other venue such as the Balloon Farm, set up a light show, and just start jamming, improvising, the word would spread, crowds showed up. We were wild, primitive, unstructured, like a tribe, and the music sprang from that roughly organized chaos.
I was a fan of Charles Lloyd, a jazz musician in the Coltrane, Albert Ayler mold (although much more whimsical in his "Free Music" style) and had translated that genre into rock in my own crude way, with a lead guitar style similar to the Byrds "Eight Miles High". I was also a hanging-out friend of Larry Coryell, one of the early jazz fusion guitarists, whose apartment was across the street from Tompkins Square. Anyway, I brought my crude oddball guitar style with those influences to the Tompkins Square concert. I think the Dead and Group Image played some songs, then jammed for about 5-6 hours. The crowd went insane, as they usually did at our shows.
Toward the end, things got increasingly crazy and scary...women being assaulted, weapons brandished by ethnic groups that were somewhat resentful of the hippie invasion of the Lower East Side, with no cops in sight. We were on our own to get out of there. We quickly tore down our gear, packed up and ran for our lives. I think I remember Weir slamming the last of their gear into the back of a Chevy panel truck.
My memory of this event 45 years ago ain't perfect, but it's probably close enough. I'm more than willing to be corrected by someone who was there. It would be fun to see some photos of it...I recall a woman there who seemed to be a pro shooting a lot of pics. I quit the Group Image soon after, but my musical career continued on for another 30 years and continues now just for fun...my tunes occasionally played on radio and TV.
During that summer I was active in the New York City art scene as a poster artist, painter and illustrator. My album cover for Gary Burton's "A Genuine Tong Funeral" was nominated in '67 for a Grammy: http://www.jimmys-website.com/art/Burton-%20Genuine%20Tong%20Funeral.jpg
One of the '67 posters was fairly Dead-ish: http://www.jimmys-website.com/art/kundalini%20edit.jpg
The Tompkins Square Concert is a favorite memory from those days.
“Tompkins Square Park, 1967,” Grateful Dead Archive Online, accessed August 4, 2015, http://www.gdao.org/items/show/837898.
- I am the copyright owner. I believe my submission is fair use. This work is available from the UC Santa Cruz Library. This digital copy of the work is intended to support research, teaching, and private study. This work is protected by U.S. Copyright Law (Title 17, U.S.C.). Use of this work beyond that allowed by Fair Use requires written permission of the copyright holder(s). Responsibility for obtaining permission, and for any use or distribution of this work, rests exclusively with the user and not the UC Santa Cruz Library. If the work itself or our research has indicated that one or more individuals or entities is a current copyright holder, that information may be included in the Copyright Information field. Other sources for copyright information include the Creator field or copyright statements on the work. When available, contact information for requesting permission from copyright holder(s) will be linked from the Copyright Information field. If you have additional or conflicting information about ownership of rights in this work, please contact us at email@example.com.