Grateful Dead Live at Sullivan Stadium on 1989-07-02
Creator:
Citation:
Grateful Dead, “Grateful Dead Live at Sullivan Stadium on 1989-07-02,” Grateful Dead Archive Online, accessed April 23, 2024, https://www.gdao.org/items/show/165985.
Show Details
Contents:
Set 1
This Land Is Your Land
Good Times
Sittin' On Top Of The World
This Land Is Your Land
Playing In The Band
Crazy Fingers
Wang Dang Doodle
We Can Run
Tennessee Jed
Queen Jane Approximately
To Lay Me Down
Cassidy
Don't Ease Me In
Set 2
Friend Of The Devil
Truckin'
He's Gone
Eyes Of The World
Drums
Space
The Wheel
Dear Mr. Fantasy
Hey Jude
Sugar Magnolia
Encore
The Mighty Quinn (Quinn The Eskimo)
This Land Is Your Land
Good Times
Sittin' On Top Of The World
This Land Is Your Land
Playing In The Band
Crazy Fingers
Wang Dang Doodle
We Can Run
Tennessee Jed
Queen Jane Approximately
To Lay Me Down
Cassidy
Don't Ease Me In
Set 2
Friend Of The Devil
Truckin'
He's Gone
Eyes Of The World
Drums
Space
The Wheel
Dear Mr. Fantasy
Hey Jude
Sugar Magnolia
Encore
The Mighty Quinn (Quinn The Eskimo)
Description:
- Patch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV)
Transferred and seeded by Bill Tetzeli (btet@adelphia.net)
Known flaws:
- Friend of the Devil cuts in at the beginning. This was patched with the Schoeps source from :00 to :14
- Tape flip in Drums. This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14.
All patches made in CE Pro with levels matched and crossfades.
Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now. IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set). First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume. Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation. It sounds a ghost of a hair's ghost away from being a Healy matrix.
Many thanks to Tim Alexander for lending me these phenomenal masters!
Format:
Donor and Provenance:
- Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
Accession Number:
- gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24
Archival Resource Key:
- ark:/38305/g43x87cd
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