Description:

• ***30th Anniversary Matrix***
  
  ----------------------------------------------------
  SBD:
  
  Recording Info:
  SBD -> Master Reel -> Reel -> Dat (44.1k)
  
  Transfer Info:
  Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
  (3 Discs Audio / 2 Discs FLAC)
  
  All Transfers and Mastering By Charlie Miller
  charliemiller87@earthlink.net
  January 28, 2008
  
  [Cuts:]
  
  Sugaree (11:40 - 12:54)
  He's Gone (7:41 - 9:58)
  Stella Blue (10:18 - end of track)
  Sugar Magnolia (0:00 - 0:21)
  
  Notes:
  -- All disc changes are seamless
  -- Some in between song tuning supplied by shnid=6100
  -- Numerous spots of diginoise in I Need A Miracle patched with shnid=6100
  -- Many flaws cleaned up
  
  ----------------------------------------------------
  AUD:
  
  MOTB Release: 0015 16/44.
  Release Date: 2008-09-25
  Analog Audience Source: Aud Master Cassettes (MAC)
  Medium Stock Brands: MAC = 3 x Maxell UDXL II
  Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC
  Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
  Taped By: Reinhart Hohlwein
  Transfer By: Bob Menke
  Mastering By: Derek McCabe
  Tagged by: Jeff Thomas
  Special: Rhinotrocity #5
  
  [Cuts:]
  
  "He's Gone" patched at 3:43 - 4:07
  "Stella Blue" patched at 0:03 - 0:12
  "Sugar Magnolia" patched at 7:44 - 8:24
  
  ---------------------------------------------------
  Thank you to Charlie Miller for the SBD transfer,
  to Reinhart Hohlwein for recording the show,
  and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer.
  
  Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
  September 28, 2008
  
  Notes:
  
  1) There were occasional, brief "phasing" sounds in the SBD, yet not in the AUD, particularly during Hamza el Din Song #1, Promised Land (and after the song), and I Need a Miracle. Most of this seems to be from Miller's patching of the source with SHNID 6100, which sounded differently when mixed with the AUD, or on it's own.
  
  2) There is a noticeable tonal shift in the AUD during Hamza el Din Song #1 from the mic being moved around.
  
  3) There were cuts in the SBD and AUD between songs, whereupon only one source plays in the matrix.
  
  4) Interestingly, Lee Oskar's harp is more audible on the AUD than the SBD, which is good.
  
  5) As noted above, unfortunate cuts in the AUD right after a stellar Other One and a raging Sugar Magnolia, so the roaring crowd is just a little low during those parts. Cut in the AUD for the tail end of the recording as well.