Grateful Dead Live at Madison Square Garden on 1991-09-10

Contents
Set 1

Shakedown Street
C C Rider ->
It Takes A Lot To Laugh It Takes A Train To Cry
Black Throated Wind
High Time
Cassidy
Deal

Set 2

Help On The Way ->
Slipknot! ->
Franklin's Tower
Estimated Prophet ->
Dark Star ->
Drums ->
Space ->
Dark Star ->
I Need A Miracle ->
Standing On The Moon ->
Turn On Your Lovelight

Encore
It's All Over Now, Baby Blue
Description
Source Info

SBD (shnID = 89085)
SBD Dat(2) stored on Ampex 467 DAT Tape
Transfer: DAT from the collection of Todd Evans
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif
innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
Transferred 12/09/07
Editing: All editing and mastering by Jamie Waddell
A **GEMS** Production www.shnflac.net


AUD (shnID = 96422)
Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com
Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 >
Modified Sony TCD D-10 Pro
Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
A **GEMS** Production www.shnflac.net

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Tech Notes

Jamie Waddell sent me the 16/48 waves files as one long track
for both the SBD and the AUD. CEP2.0 was used to align & synch
both sources time compress and expand). SF8.0 was used for the
EQ setting on the LFE and CTR channels. SF8.0 used to adjust the
volume for the center, surround and LFE channels. SF8.0 used to
adjust the volume for the center, surround and LFE channels. SF8.0
was used to perform the hard limiting on the LFE channel. Surcode
CD Pro DTS was used to encode to DTS. This incorporates 6
channels of DTS encoded 16/44 wave files.
- Mixed by dan@am-dig.com
- FLAC conversion 18-MAR-2000
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim, double CD case.

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DTS-Audio-CD Info

Front
Left Channel SBD
Right Channel SBD

Center
Mono Mixdown Left/Right -5db D'EQ SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mono Mixdown Left/Right -3db D'EQ SBD

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Notes

d1t06 "High Time" - 2 small digi snits have been fixed

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Lineup

Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)

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More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

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Additional Formats

This show is available in the following formats:

1. The SBD and AUD sources listed above at 16/44
2. The AUD sources listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Extent
167:06.30
Accession Number
gd1991-09-10.dts.mtx.haugh.gems.98655.flac16
Archival Resource Key
ark:/38305/g4s75hbf