Description:

• I brought this back home with me from Arizona on a HD last june
  and I finally got around to preparing it for CDr
  
  What I have came from a DAT>ZA2>wav>(sound forge for cutting
  to track size)>shn
  
  All CD switches come at natural breaks in the sets.
  Timings used are very close to those listed below from the
  Dead Project but not precisely the same.
  
  The last Jam in Set 2 is complete here and not cut like on the
  Dead Project list below.
  
  The sound mix differs from set 1 to set 2: Set 1 has everything
  in the left or right channel with just about nothing in the
  middle of the sound picture. Whereas in Set 2 Jerry's gitar is moved
  to the middle, better balancing things out.
  
  Set 1 had a bit of hiss. I used 'Diamond Cut - Audio Restoration
  Tools 32' to remove it. There was a stretch in the beginning
  before Jerry starts playing where I could get a good sound sample
  of the hiss for the removal.
  
  DAT>ZA2>wav by D. Hollister
  Hard disk transport back to Norway, Sound Forge cutting for CDR,
  and De-hissing by Konstantin
  Re-tracking on sector boundaries by Jeff Hoelter
  
  Know anomalies:
  CD1:
  Track 3 Pop at 4:09
  Track 6 Glitch at 2:09
  
  CD2
  Track 4 Sound dropsout at 3:56 for about 600 milliseconds
  
  CD3
  Track 1: Sound fades at 1:12 2:01 2:31
  Sound dropouts at 6:57 split second, 7:27 1 sec, 7:36 2 sec
  
  
  
  
  
  
  Following is from the pages of Dead Project:
  
  10/09/68 The Matrix, San Francisco, CA
  
  Set One: (10 songs)
  
  Jam > 7:02
  Turn On Your Lovelight Jam > 12:43
  Drums > 6:16
  Jam (1) > 11:49
  The Other One Jam > 5:44
  Jam (2) > 4:#05
  Death Don't Have No Mercy 7:59
  Dark Star Jam > 13:09
  The Eleven Jam > 5:51
  The Seven 9:36
  
  Set Two: (6 songs)
  Jam 27:30
  It's A Sin 7:19
  Next Time You See Me Jam (3) 7:34
  The Rub Jam (3) 4:57
  Look On Yonder Wall (3) 3:40
  Jam (4) 16:28#
  
  
  Comments: show billed as "Mickey and the Heartbeats".
  Bobby and Pigpen were absent. (1) starts very much like the
  post-drums portion of Alligator, and contains a
  brief, Spanish Jam-like theme. It also contains many hints of
  Caution (Do Not Stop On Tracks). (2) cut here is
  likely quite small. (3) with Paul Butterfield on harmonica.
  (4) very similar to New Potato Caboose. My copy cuts at
  16:28, but there is clearly more.