Grateful Dead Live at Capitol Theater on 1971-02-20
Creator:
Citation:
Grateful Dead, “Grateful Dead Live at Capitol Theater on 1971-02-20,” Grateful Dead Archive Online, accessed April 25, 2024, https://www.gdao.org/items/show/246401.
Show Details
Contents:
Set 1
Casey Jones
Me And My Uncle
Hard To Handle
Bertha
Playing In The Band
Bird Song
Big Boss Man
Cryptical Envelopment ->
Drums ->
The Other One ->
Wharf Rat
Sugar Magnolia
Set 2
Truckin'
Loser
Next Time You See Me
Greatest Story Ever Told ->
Johnny B. Goode
Ripple
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Jam ->
Not Fade Away ->
Turn On Your Lovelight
Casey Jones
Me And My Uncle
Hard To Handle
Bertha
Playing In The Band
Bird Song
Big Boss Man
Cryptical Envelopment ->
Drums ->
The Other One ->
Wharf Rat
Sugar Magnolia
Set 2
Truckin'
Loser
Next Time You See Me
Greatest Story Ever Told ->
Johnny B. Goode
Ripple
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Jam ->
Not Fade Away ->
Turn On Your Lovelight
Description:
- Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files.
FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering.
Format:
Extent:
- 155
Donor and Provenance:
- Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Accession Number:
- gd1971-02-20.sbd.cantor-crouch-diebert-gmb.85912.sbeok.flac16
Archival Resource Key:
- ark:/38305/g45x29xr
Tags
Comments