Grateful Dead Live at Seattle Center Coliseum on 1979-07-01

Contents
Set 1

Mississippi Half-Step Uptown Toodeloo ->
Franklin's Tower
Mama Tried ->
Mexicali Blues
Peggy-O
New Minglewood Blues
Stagger Lee
El Paso
Brown Eyed Women
Passenger

Set 2

Don't Ease Me In
Samson And Delilah
Sugaree
Terrapin Station ->
Playing In The Band ->
Drums ->
Space ->
Stella Blue ->
Truckin' ->
Around And Around

Encore
Shakedown Street
Description
*Matrix*

----------------------------------------------------
SBD:

Recording Info:
SBD -> Cassette Master -> Cassette -> PCM -> AIFF

Transfer Info:
AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 28, 2008

[CUTS:]

Mississippi Half-Step Uptown Toodeloo (0:00 - 0:19)
Stagger Lee (0:00 - 3:25)
Sugaree (0:00 - 0:14)
Terrapin Station (10:58 - end of track)
Playing In The Band (0:00 - 0:34)
Around And Around (0:26 - 2:05)

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

----------------------------------------------------
AUD:

Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs)
Transfer and FLAC encoding by David Minches:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding

[Tape flips in Terrapin and Stella Blue]

-----------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Mark Severson for recording the show,
and to David Minches for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
November 11, 2008

Notes:

1) Cuts in the SBD between songs. A brief dropout near the end of Playing.

2) A couple small cuts in the AUD between songs. The left channel is low for part of the second Tuning track. Good AUD banter.

3) Some fluctuations in the SBD mix during Half-Step. Garcia's guitar shifts around in the channels, is sort of low in the levels, and is more prominent in the right channel for the earlier portion of the show. Luckily, Garcia's guitar is a bit louder in Severson's recording, which centers the guitar sound more and makes the levels better.

4) About a twenty second portion of Drums>Space in the SBD was repeated, which was removed. It appears there may have been another source patched in at this moment, since the hiss increases and the speed changes a little after this point - perhaps another cassette generation.
Extent
194:12.24
Accession Number
gd1979-07-01.mtx.seamons.95742.sbeok.flac16
Archival Resource Key
ark:/38305/g4p55pmg