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2 SBD:
Recording Info:
Set 1: SBD -> Master Cassette -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC
Set 2: SBD -> Master Cassette -> Reel -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> FLAC
Patch Info:
(FOB/12th Row) Sennheiser 421 -> Master Cassette (Sony D5) -> Dat -> CD
Patches in "Samson" and "Space"
Edited By Charlie Miller
charliemiller87@earthlink.net
12/26/04
Notes:
-- Seamless transition between discs 2 and 3.
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AUD:
Recording Info:
(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 24, 2008
Patch Info:
(FOB/12th Row) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=347) supplies:
Drums (complete track)
Notes:
-- Recorded By Rob Eaton
-- Dat provided by J.J. Clifton
----------------------------------------------------------------
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
April 3, 2008
Thank you to mayormarionbarry and Charlie Miller for their beautiful work and seeds at etree.
Notes:
1) While there are minor gaps in all sources at various places, there is a three-minute gap in the AUD patch (Sennheiser 421) during Drums, so only the SBD plays for part of Drums.
2) The speeds of all sources were relatively close (within 1%), so there were no MAJOR speed changes.
3) I was extremely impressed with the results of merging these sources. (I have abandoned several other matrix projects simply because I do not like how the sources sound together.) While the Set I SBD is significantly better than the Set II SBD, which sounds "flat," the AUD source really rounded out the sound in Set II. I would say this is my best sounding matrix yet in terms of fullness of sound and syncing techniques - and an amazing show! Set II has some awesome moments as well - I like Space a lot.
4) Enjoy!