*Matrix*
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SBD(s):
Recording Info:
SBD -> Cassette Master -> PCM -> Dat -> CD
Editing Info:
CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
7/28/04
Notes:
-- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is I could not find a tape flip and the recording is more dynamic than Set 1.
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AUDs:
Set 1
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Nak 300 > D5 > CM > CDR
DAE and shorten encoding by C. Vinci
Set 2
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Recorded by Jim Oade
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)
Field:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
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Thank you to Charlie Miller and John Lyons for the SBD transfer,
to Chris Vinci and Mike Lai for the set 1 AUD transfer
to the Oade Brothers and Darrin Sacks for the set 2 AUD transfer,
and to Mr. B. for helping me verify the set 1 pitch.
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
September 23, 2008
Notes:
1) Cuts in the AUD between songs during set 1. I left the SBD portions in for the occasional, interesting stage conversation.
2) Based on C. Miller's notes above, the set 2 SBD source appears to be a VHS master, since there is some speed fluctuation. Since I used the Oade AUD for set 2, set 2 is a completely different matrix than set 1 that sounds significantly better.
3) One momentary cut in the AUD during Space in set 2.
4) Set 2 is seamless.
5) The crowd after Good Lovin' seems VERY thoroughly pleased - thank you Oade!