Grateful Dead Live at Boston Garden on 1994-10-01
Creator:
Citation:
Grateful Dead, “Grateful Dead Live at Boston Garden on 1994-10-01,” Grateful Dead Archive Online, accessed March 29, 2024, https://www.gdao.org/items/show/312065.
Show Details
Contents:
Set 1
Help On The Way ->
Slipknot! ->
Franklin's Tower
Walkin' Blues
Althea
Me And My Uncle ->
Big River*
Just Like Tom Thumb's Blues
So Many Roads
The Promised Land
Set 2
Scarlet Begonias ->
Fire On The Mountain
Way To Go Home
Saint Of Circumstance ->
Terrapin Station ->
Drums ->
Space ->
The Last Time ->
Stella Blue ->
One More Saturday Night
Encore
Liberty
* Weir on acoustic
Help On The Way ->
Slipknot! ->
Franklin's Tower
Walkin' Blues
Althea
Me And My Uncle ->
Big River*
Just Like Tom Thumb's Blues
So Many Roads
The Promised Land
Set 2
Scarlet Begonias ->
Fire On The Mountain
Way To Go Home
Saint Of Circumstance ->
Terrapin Station ->
Drums ->
Space ->
The Last Time ->
Stella Blue ->
One More Saturday Night
Encore
Liberty
* Weir on acoustic
Description:
- *Matrix*
----------------------------------------------------
SBD:
Bertha remaster of Master DAT source.
SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on March 23, 2002.
----------------------------------------------------
AUD:
Taper: Dave Minor
Source: PMB Microphones (German)(1) FOB> Sony D7 @48k
Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD >
SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
SHNtool used to verify track boundaries
Transfered by Marc Pujol 01/30/2003
Source DAT from Dave Minor via Matt Vernon
- some brief overload distortion a few places during drums
"[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."
---------------------------------------------------
Thank you to Jay Ashley and Hub Spencer for the SBD transfer,
to Dave Minor for recording the show,
and to Marc Pujol and Matt Vernon for the AUD transfer.
Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)
October 3, 2008
Notes:
1) Cuts in the SBD between some songs. One momentary cut in the SBD and AUD during Space.
2) Miniscule gaps at points in the sources, sometimes producing faint clicks.
3) Faint clicks removed using Soundtrack (at least the ones I noticed).
4) The show is seamless.
Format:
Extent:
- 188:12.15
Accession Number:
- gd1994-10-01.mtx.seamons.95066.sbeok.flac16
Archival Resource Key:
- ark:/38305/g42n53js
Tags
Comments